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2013考研英语命题趋势之阅读理解

section i part a

text1

the decision of the new yorkphilharmonic to hire alan gilbert as its next music director has been the talkof the classical-music world ever since the sudden announcement of hisappointment in 2009. for the most part, the response has been favorable, to saythe least. “hooray! at last!” wrote anthony tommasini, a sober-sidedclassical-music critic.

one of the reasons why the appointmentcame as such a surprise, however, is that gilbert is comparatively littleknown. even tommasini, who had advocated gilbert’s appointment in the times,calls him “an unpretentious musician with no air of the formidableconductor about him.” as a description of the next music director of anorchestra that has hitherto been led by musicians like gustav mahler and pierreboulez, that seems likely to have struck at least some times readers asfaint praise.

for my part, i have no idea whethergilbert is a great conductor or even a good one. to be sure, he performs animpressive variety of interesting compositions, but it is not necessary for meto visit avery fisher hall, or anywhere else, to hear interesting orchestralmusic. all i have to do is to go to my cd shelf, or boot up my computer anddownload still more recorded music from itunes.

devoted concertgoers who reply thatrecordings are no substitute for live performance are missing the point. forthe time, attention, and money of the art-loving public, classicalinstrumentalists must compete not only with opera houses, dance troupes,theater companies, and museums, but also with the recorded performances of thegreat classical musicians of the 20th century. there recordings arecheap, available everywhere, and very often much higher in artistic qualitythan today’s live performances; moreover, they can be “consumed” at a time andplace of the listener’s choosing. the widespread availability of suchrecordings has thus brought about a crisis in the institution of thetraditional classical concert.

one possible response is for classicalperformers to program attractive new music that is not yet available on record.gilbert’s own interest in new music has been widely noted: alex ross, aclassical-music critic, has described him as a man who is capable of turningthe philharmonic into “a markedly different, more vibrant organization.” butwhat will be the nature of that difference? merely expanding the orchestra’srepertoire will not be enough. if gilbert and the philharmonic are to succeed,they must first change the relationship between america’s oldest orchestra and thenew audience it hops to attract.

21. we learn from para.1 that gilbert’sappointment has (推断题)

[a]incurred criticism.

[b]raised suspicion.

[c]received acclaim.

[d]aroused curiosity.

22. tommasini regards gilbert as anartist who is （细节题）

[a]influential.

[b]modest.

[c]respectable.

[d]talented.

23. the author believes that the devotedconcertgoers （推断题）

[a]ignore the expenses of liveperformances.